{"id":178,"date":"2021-09-12T22:47:40","date_gmt":"2021-09-12T20:47:40","guid":{"rendered":"https:\/\/alexis-bassali.formations-senza.fr\/?page_id=178"},"modified":"2025-03-27T12:51:36","modified_gmt":"2025-03-27T11:51:36","slug":"alexiskevorkbassali","status":"publish","type":"page","link":"https:\/\/kevork-mastering.com\/fr_fr\/alexiskevorkbassali\/","title":{"rendered":"Qui suis-je ?"},"content":{"rendered":"\t\t
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Mon parcours<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Form\u00e9 par deux \u00e9coles internationales dans le domaine de l’Audio (School of Audio Engineering<\/a> et Berklee College of Music<\/a>), j’ach\u00e8ve en 2012 la pr\u00e9paration d’un projet sp\u00e9cifique en Mastering Audio n\u00e9 depuis fin 2005. Mon premier tuteur Reuben Rowntree (SAE Auckland<\/a>) m’a naturellement conduit \u00e0 m’investir d’avantage dans le domaine. Dipl\u00f4m\u00e9 d’un DEUG de Physique, je comprends que ce domaine du Mastering me correspond parfaitement. J‘approfondi mes connaissances avec Jonathan <\/span>Wyner par le Berklee College of Music<\/a> en 2011 et j<\/span>e termine mon cycle de formation 4 ans\u00a0<\/span>plus tard en recevant le \u00ab\u00a0Celebrity Scolarship\u00a0\u00bb en 2016. Celui-ci m’est attribu\u00e9 par le <\/span>chanteur Juan Luis Guerra me r\u00e9compensant parmi les 16 meilleurs \u00e9l\u00e8ves de la <\/span>promotion. Depuis 2018 j’enseigne le Mastering aux \u00e9l\u00e8ves de 3ieme ann\u00e9e \u00e0 l’Institut International 3iS<\/a> de Paris. J’y enseigne aussi l’ \u00ab\u00a0Ecoute Critique Culture Musicale\u00a0\u00bb aux \u00e9l\u00e8ves de 2ieme et 3ieme ann\u00e9e. <\/span>Membre de l’<\/span>Audio Engineering Society<\/a>, on peut me rencontrer dans des conf\u00e9rences ou s\u00e9minaires traitant des sujets les plus pointus.<\/span><\/p>

Alexis @ Kevork Mastering.
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Horizons<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Auparavant musicien, j’ai jou\u00e9, enregistr\u00e9 et tourn\u00e9 pendant des ann\u00e9es comme guitariste. Ayant v\u00e9cu l’apog\u00e9e du format Vinyle puis celui du CD-Audio, aujourd’hui j’estime que le support physique perdurera car je pense que la demande sera toujours d’actualit\u00e9. Certes nous vivons une R\u00e9volution dans la consommation de musique d\u00e9mat\u00e9rialis\u00e9e depuis les ann\u00e9es 2010 (le Streaming<\/a>) mais la persistance des formats physiques prouve aussi leur atout. En effet le format \u00ab\u00a0palpable\u00a0\u00bb\u00a0valorise pleinement l’\u0153uvre telle qu’elle a \u00e9t\u00e9 con\u00e7ue, forte de son sens artistique notamment au travers des titres qui s’enchainent bout-\u00e0-bout et dans le respect durable de leur niveau de Loudness.<\/span><\/p>

D’autre part, la technologie \u00e9volue sans cesse pour nous, architectes du son. Nous utilisons quotidiennement ces avanc\u00e9es pour r\u00e9aliser un sur-mesure au service des artistes des producteurs et des labels. Ceci afin de cr\u00e9er des musiques dont les productions qui doivent toujours rester meilleures ! Cependant le plus important est de livrer un projet qui perdure dans le temps, quels que soient les formats ou nouvelles normes qui s’imposent. Une musique qui \u00ab\u00a0sonne bien\u00a0\u00bb aujourd’hui doit garder ses qualit\u00e9s et son impact, quelque soit l’\u00e9volution constat\u00e9e des modes d’\u00e9coute, des formats ou des supports.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Alexis\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Mes R\u00e9alisations Mastering<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Un aper\u00e7u sur une s\u00e9lection de mes r\u00e9alisations Mastering…<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Pochette<\/figure><\/div>
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Le Studio<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mon studio est \u00e9quip\u00e9 d’une chaine de traitements hybride professionnelle pour un Mastering sur mesure…<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tEn savoir plus<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Mon parcours Form\u00e9 par deux \u00e9coles internationales dans le domaine de l’Audio (School of Audio Engineering et Berklee College of Music), j’ach\u00e8ve en 2012 la pr\u00e9paration d’un projet sp\u00e9cifique en Mastering Audio n\u00e9 depuis fin 2005. Mon premier tuteur Reuben Rowntree (SAE Auckland) m’a naturellement conduit \u00e0 m’investir d’avantage dans le domaine. Dipl\u00f4m\u00e9 d’un DEUG…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-178","page","type-page","status-publish","hentry"],"yoast_head":"\nAlexis Kevork, l'Ing\u00e9nieur du son Mastering de Kevork Mastering | Kevork Mastering<\/title>\n<meta name=\"description\" content=\"Cette page dresse ma pr\u00e9sentation comme Ing\u00e9nieur du son Mastering. Contactez-moi par tous les moyens ! 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